360 Degrees Of Billy Paul Rar
360 Degrees of Billy Paul is an album by soul singer Billy Paul. It was produced by Kenny Gamble and Leon Huff and arranged by Bobby Martin, Lenny Pakula and Norman Harris.
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Released in 1972, it includes the Grammy Award-winning number 1 pop and soul single “Me and Mrs. Jones” and its follow-up “Am I Black Enough for You?” which reached #29 on the soul chart and #79 on the pop chart. The album was expanded and remastered by Big Break Records for compact disc in 2012 with three bonus tracks, new liner notes by Andy Kellman, and new quotes from Billy Paul. ~Wikipedia~ Paul’s first album for Philadelphia International was straight club jazz; sales were slow. This time, Gamble & Huff gave Paul material strong enough to make his sophomore release a viable commercial entity. “Brown Baby’s” speaks of people of color making their parents and others proud. “I’m Just a Prisoner” is real, but would have been better served without the string section.
It’s a stark depiction about a man who has served five years and is contemplating his future. It is about the unsettling fact that he’s just a prisoner. Its chilling chorus tells it all – “The cell is cold as hell, you’ll never get use to the smell, my bed is hard as wood, I got to fight to keep my manhood,” the riveting saga doesn’t just end, the fade is lengthy, and features a dejected Paul woefully mourning the conditions, the situation, and the turmoil of prison life. He sounds believable and frustrated belting out “Me & Mrs.
Billy Paul
Jones,” a classic that many relate to, and those who don’t have no problem being down with the passionate singing and clawing lyrics describing the unapologetic infidelity. His “It’s Too Late” is a fine rendition of Carole King’s classic. You might not recognize “Let’s Stay Together,” popularized by Al Green. Paul does it it MOR/Jazz style, with a lot of improvising before crooning the original lyrics. It shows versatility, but it’s unlikely that people who bought Green’s “Jones” appreciated it. A version of Elton John’s “Your Song” introduced the Brit to fans of soul music. Vince Montana’s magical vibes punctuate the rhythm, which turns into a lightweight gospel revival.
“Am I Black Enough for You” fit in with the times of overt black consciousness, a social message moved along by a perky bongo and clavinet-dominated beat, and well-spaced, brassy horn hits. A too staid “I’m Gonna Make It This Time,” co-written by Bunny Sigler, marked Paul’s second adventure in urban club jazz on 360 Degrees; this one has bite, and Billy sings it with fire. ~Review by Andrew Hamilton~ Release of this album: 1972 [LP Philadelphia International Records, Cat.# KZ 31793, USA] Release of this CD: 2012, August, 27 [CD Big Break Records (UK), Cat.# CDBBR 0175 / UPC: 532] Notes: Reissue. Original recording remastered.
Originally released on Philadelphia International Records. This compilation (p)(c) 2012 Big Break Records. Marketed and Distributed by Cherry Red Records. Made in EU/MCPS Credits: Arranged By [String, Horns] – Lenny Pakula (tracks: 3, 7), Norman Harris (tracks: 6) Arranged By [Strings, Horns] – Bobby Martin (tracks: 1, 2, 4, 5, 8, 10, 11) Bass – Anthony Jackson, Ronnie Baker Congas – Larry Washington Cover, Design [Original] – Ed Lee Design [CD Booklet] – Paul Bevoir Drums – Earl Young, Norman Farrington Edited By [Additional Editing], Remastered By [Additional Mastering], Reissue Producer – Wayne A.